Symphony No.1 (Rosaria, Danielle)

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Dfly8abit (2017/5/22)

Performers Danielle Rosaria
Publisher Info. Danielle Rosaria, 2016.
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Sheet Music

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Publisher. Info. Danielle Rosaria, 2016.
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Parts

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PDF typeset by composer
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PDF typeset by composer
Dfly8abit (2017/5/21)

PDF typeset by composer
Dfly8abit (2017/5/21)

PDF typeset by composer
Dfly8abit (2017/5/21)

PDF typeset by composer
Dfly8abit (2017/5/21)

PDF typeset by composer
Dfly8abit (2017/5/21)

PDF typeset by composer
Dfly8abit (2017/5/21)

PDF typeset by composer
Dfly8abit (2017/5/21)

PDF typeset by composer
Dfly8abit (2017/5/21)

PDF typeset by composer
Dfly8abit (2017/5/21)

PDF typeset by composer
Dfly8abit (2017/5/21)

PDF typeset by composer
Dfly8abit (2017/5/21)

PDF typeset by composer
Dfly8abit (2017/5/21)

PDF typeset by composer
Dfly8abit (2017/5/21)

PDF typeset by composer
Dfly8abit (2017/5/21)

Publisher. Info. Danielle Rosaria, 2016.
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General Information

Work Title Symphony No.1, Part 1
Alternative. Title King Arthur
Composer Rosaria, Danielle
Key E minor
Movements/SectionsMov'ts/Sec's 3 movements
Year/Date of CompositionY/D of Comp. 2015
First Performance. 2015/5/27
First Publication. 2016
Average DurationAvg. Duration 7.5 minutes
Composer Time PeriodComp. Period Modern
Piece Style Modern
Instrumentation Orchestra: 2 flutes, oboe, clarinet (B), bassoon
alto saxophone (E), tenor saxophone (B), horn (F), trumpet (B), trombone, tuba
snare drum, bass drum, piano, strings
Extra Information Programmatic, based on the legend of King Arthur

Misc. Comments

This symphony is based on the legend of King Arthur and follows the story of his coronation and wedding, the adventures of the Round Table Knights, the quest for the Holy Grail, and Arthur’s death and journey to Avalon. This piece was premiered by the La Verne Symphony Orchestra in the fall of 2015 during the Music of Myth and Legend concert.

Part I has three movements:

1: Land In Chaos 2: Prayer For Deliverance 3: Coronation And Wedding Day Of King Arthur

From the composer: "I composed this piece by using many methods of composition that were well known during the Medieval era and following. One notable technique I employed was that of taking preexisting material and using it for something new. Medieval people understood that everything they created came from somewhere and they made use of the visible and invisible materials they found in nature and the world around them in their crafts. That included using music written by others as material for new compositions. For Movement 2. “Prayer For Deliverance”, I took the “Kyrie” from the “Mass For Four Voices” written by the English composer William Byrd (1539/40 – 1623). He was a Catholic composer living during the tumultuous time of Queen Elizabeth I. He was favored by the Queen for his compositions, but still had to watch out for himself because of his religious faith. Much of his Catholic music was heard only in secret during his lifetime. The “Kyrie” is always found in the Catholic Mass and its words are, “Lord, have mercy. Christ, have mercy. Lord, have mercy”. It is one of the oldest prayers in the Mass and it calls confidently on God to have mercy on His people and to save them from their sins. Here, I simply took Byrd’s setting of the “Kyrie” and set it for today’s orchestral instruments. It represents the part in the story of King Arthur when all the knights in the land of Britain came together and prayed for God to give them a king to lead them in taking back their land from the invading Saxons. After they had prayed, Arthur was recognized as their king because only he could draw the mystical sword from the stone.

The story of King Arthur is one of courage, of fighting for the good, and of love for the people entrusted to one’s care. For that reason, it is a legend that is timeless and true."